- CONTROLLERMATE AND CONTOUR SHURTTLE PRO HOW TO
- CONTROLLERMATE AND CONTOUR SHURTTLE PRO UPGRADE
- CONTROLLERMATE AND CONTOUR SHURTTLE PRO FULL
- CONTROLLERMATE AND CONTOUR SHURTTLE PRO PRO
I'm not sure if there is an easier way to do this, but again, once you start using this method, you most likely won't want to work without it. Copy and Paste the following into the terminal window and upon restart you will have double scrolls in all four corners.ĭefaults write "Apple Global Domain" AppleScrollBarVariant DoubleBoth I do this by going to the terminal session entry window that is located in the Utilities folder. Stopping and starting the transport from the trackball has become very useful.Ĥ) (simple & free) I like double scroll arrows on both top and bottom and left and right. Often I might kick back and audition things while only wanting to use one hand. Reasonably priced.ģ) (simple & free) I assign the bottom 2 buttons (simultaneous press) on my trackball to operate the space bar.
CONTROLLERMATE AND CONTOUR SHURTTLE PRO UPGRADE
Having a scroll bar for scrolling windows up/down and left/right has been a serious upgrade to my speed and comfort. Keyboard with very little wrist discomfort.Ģ) Wireless Keyboard with scroll bar for left fingers. Using 2 at a time allows comfortable support of your forearms and allows operation of trackball and (not cheap, but if you're having trouble with your wrists, they pay for themselves in comfort. Here are 4 suggestions that have helped my workflow immensely.ġ) Ergorest arm rests. Hope my suggestion helps someone, somewhere. When it's set correctly, my shoulder and neck muscles don't have to do any work holding my arm up. The armrest should be adjusted to a comfortable height, not too high, nor too low.
CONTROLLERMATE AND CONTOUR SHURTTLE PRO FULL
The table can't be too high or too low, or it won't work.įor the shoulder pain, the armrest handles that by supporting the full weight of my right arm. I put it at the right height so that my hand naturally falls into the correct position when using the mouse. Then I adjust the height of the seat with the hydraulic adjustment. To achieve this, I use a chair with an armrest, and rest my right arm on it. (I prefer a mouse, because it's easier for me to keep the correct position.) By straight, I mean you could take a ruler, strap it to the top of my forearm, and have it extend over the back of my hand. What worked for me on the wrist, was to keep my wrist straight as I worked with the trackball or mouse. Well, the two main objectives of my setup were to eliminate the burning in my wrist that I'd feel after working for a few hours (and it got to where the burning would start almost immediately after I'd start working), and to eliminate the pain that would develop where my shoulder meets my neck.
CONTROLLERMATE AND CONTOUR SHURTTLE PRO HOW TO
I'd love to hear some ideas/opinions about how to go about implementing this. duplicate playlist, select entire track, create new fades, consolidate
duplicate snare track, open Sound Replacer, load my most used samples "scroll" thru existing playlists on selected track(s) create a macro to handle selecting entire session length, and boucing to disk w/ standard settings (4416, stereo interleaved.)
Here's my short list of the functions/macros I want to automate: I want to pick the right one, because I plan on investing a considerable amount of time into really addressing improving work-flow issues. Now I'm considering buying and programming my own shortuts in either: When I try to program the mouse using only the Kensington software, I can only re-assign functions that already have a equilavent keystroke. I've been asking around to see how people are "custom" programming their trackballs, and no one's seems to really have it dialed in. I'm now trying to learn to use a trackball w/ my left hand (I mouse with my right). When I really think about my workflow, I don't really mind moving faders/MIXING with a mouse, it's the EDITING, and plug-in tweaking that's KILLING my wrist. I thought maybe I would start using faders again if I had 24 of them in front of me. I've recently been looking at the CM Labs Motormix because: I tried a Command 8 last year but didn't really like how it was layed-out. Now that I work/mix ITB almost exclusively ,lately, my wrist has been getting pretty numb. And, like all of us, I'm picking up more all the time. I learned some new ones and I had already known a lot by then, anyway. 4.X ?), I decided to "get off" QuickKeys, and just learn the "stock" shortcuts.
CONTROLLERMATE AND CONTOUR SHURTTLE PRO PRO
When Pro Tools expanded their keyboard shortcuts (was is vers. Worked great, but I came to rely on them, and then lost productivity when I would work on a PT system that didn't have Quickeys installed, which was often. In the 90's, I used "Quickeys" (smartly programmed by another engineer at the studio) extensively. I've set aside some time to invest/research creating some custom shortcuts to help improve my workflow.
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